
A while back I was asked to contribute ideas on spreading the smokefree message to New Zealand youth via the awesome Smoking: Not Our Future platform. Noting that they already had an active social media following and a focus on the local music scene, I threw in the idea of a Twitter rap competition to engage youth to co-create positive health messages.
Collaborating with Transmit Media-Creative, the TwitSpit Competition was devised – inviting participants to freestyle/rap their smokefree attitudes via Twitter. The 140-character constraint was reduced even further by the requirement to include the #twitspit hashtag. Judging was done by local hip-hop legend, MC Juse1, who also created the graffiti artwork which branded the competition. The winner scooped an iPhone, with a slew of music-oriented prizes also up for grabs to those willing to spill their skills.
Winning tweet:
@ohhhSunday! you’re killing yourself but it doesn’t end there/
because it also affects all the people that care #twitspit
Highlights:
@DropNutsDean No more banter, Listen to this stanza/
If we lose the battle against tobacco, we will lose the war against cancer #twispit
@geekyORANGEfool: pull out that smoke and will anybody kiss you?
cause when you start smoking your love life’s gonna be an issue #twitspit
@DropNutsDean to coax/all those who smoke/heres a flowed note/
i don’t care if u burn… but i mind if u smoke #twitspit
And more fresh cuts from the prolific @DropNutsDean
… the only thing I smoke is MCs who test me…
… yo smokin dont just result in coughin/it results in coffins
… quit getting thru tar… like a cement mixer
… if you don’t want your ash kicked, the butt stops here
Related posts:
Street Art Gets Behind the Wheel
Lo-fi Meets Hi-fi at the Corner of Send and Receive
[Images by Transmit Media-Creative]

I was reflecting today on my involvement as a mentor on the 2007 Creative Waves Project. It was a 3 month online education initiative which sought to facilitate global participants to propose initiatives to raise health awareness in Kenya. The project championed collaborative practice and encouraged intense and pro-active engagement of participating students, pharmacists, graphic designers, health workers, professional bodies and education institutions.
Over 50 pharmacy students and 50 graphic design students from diverse locations worldwide were united by the comprehensive online platform and had contact with international mentors and participants on the ground in Kenya throughout. Health related concerns including malaria, tuberculosis and immunisation were to be addressed through a well devised learning methodology which spanned 12 weeks. This included ever-inclusive tasks within the stages of Socialising, Gathering, Identifying, Distilling and Resolving – some of which were addressed from within assigned groups and all of which were lively points of intersection.

As a mentor it was interesting to note the principles of self-organisation play out as some students rose to the fore and took up leadership roles, groups figured out their respective skills and capacities, particpants cross-pollinated ideas and assisted each other to overcome technical challenges. The discussion sections with collaborators onsite in Kenya were particularly active and provided essential insight to the project at large. Guest professionals came in at various stages and memorable was the input by Anne Miltenburg, of Studio Dumbar, who spoke of issues surrounding visual communication and illiteracy.
Proposals that came out of the project included a headscarf that could be laid out and used as a board game to highlight health issues, soccer uniforms which vibrantly carried relevant messages and stickers to be adhered to fruit and vegetables, bearing health information. As a mentor I found the process as rewarding as the results. Social media initiatives are gaining popularity in bringing people together to solve diverse challenges. The Creative Waves project was pioneering back in 2007 and gave all participants a taste for the power of participation. One hopes that many were inspired to go forth and… collaborate.
Photo credit: Women’s Que for HIV Testing in Kenya, by Georgina Goodwin for Vestergaard Frandsen.

We Tell Stories: Hard Times may seem like a depressing title but this collaboration between Nicholas Felton and Matt Mason explores the current scenario as fertile ground for disruptive innovation, amongst other things. It actually imparts a powerfully positive message to those who are ready to embrace disruptive initiatives and acknowledge them as creative catalysts for change.
Although it takes some effort to read – part of its appeal is actually with the challenging yet dynamic form of engagement.
Created for Penguin’s We Tell Stories digital fiction site.