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new zealand

Elevating Adversity

May 12, 2009

teachers
Everyone carries baggage and the current exhibition at Wellington’s Bowen Galleries examines the weight borne by those affected by learning difficulties yet acts a testament to their resilience. Visitors to the gallery have been moved to tears – not in the least, I feel, at being confronted with the reflection by which art mirrors society (and its failings) so glaringly back at us.

Textile artist Rosie White and her daughter Elisabeth (who is studying Spatial Design at Massey’s College of Creative Arts) pooled talents and concepts to chart experience with the New Zealand school system of their family which has 3 dyslexic members, including Elisabeth herself. Quotes from students, parents, teachers and principals are embroidered on school bags highlighting injustice and humiliation – in a layering of text and textile which was hailed by one visitor as “elegant yet pushing boundaries”.
 
principal
“Why should how well you read and write be the catalyst of how intelligent you are?” asks Elisabeth who is finding her tertiary environment much more nuturing of her talents than the school sysem ever was. Given that the majority of dyslexics are of above average intelligence, one can only imagine how frustrating some scenarios must have been.

One bag in the exhibition recalls “She said try harder so I pushed hard with my pencil and got a detention – blow trying harder.”

Rising above it all, the main banner proclaims: My gift of dyslexia is my treasure. It no longer holds me back; it inspires me.

Rosie, as a parent, was constantly disheartened during the 23 years her children were in the school system. She embroidered some of the exhibition’s phrases upside down so as not to have to revisit the emotions they stirred up. However she is far from bitter and sees a key role of the exhibition as celebrating the unique insight and perception of dyslexic children. By telling challeging stories in a compelling format, Rosie and Elisabeth have provided us with poignant commentary. Rosie assuringly adds that “the good thing about acknowledging the bags one carries is that you can choose to put them down.”

High praise to Bowen Galleries for hosting this noteworthy exhibition and to the Dyslexia Foundation of New Zealand for their sponsorship.

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Design & Co.

May 5, 2009

kiwi1
A great visit to Christchurch last week to collaborate with Dorenda Britten of designindustry – a brilliant opportunity to orchestrate copy, perception and strategy in an inspirational setting.

Dorenda Britten brings together a wealth of knowledge and experience in utilising design as a strategic tool – extending well beyond physical objects and visual communications to encompass wider applications in the service and system arenas. designindustry has worked with engineers, health professionals, government agencies, tertiary providers, manufacturing firms and technology companies to keep rational, analytical, creative and unconventional forces in balance – with a distinctly New Zealand focus.

Dorenda is well familiar with the principles of co-design and I was thrilled to discover that she has developed her own rigorous framework which encompasses them. Co-design is developmental process which shifts ownership and power in a practical, outcome-based platform. I’m especially interested to further explore the notion of the convergence of design and organisational processes – creating and strategising with rather than for clients – because it seems arrogant to assume a monopoly on good ideas.

A Selection of Case Studies of Co-Design:
with parents and teachers by IDEO
with youth by thinkpublic
with the Guardian Newpaper by Engine Group

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