Posts tagged as:

food

Single Serve

In the age of bulk buy and corporate over-packaging, I tend to enjoy street-food experiences on annual trips to the motherland. I’m particularly fond of offerings from roaming roasted peanut & lentil sellers in Mumbai – equipped for the micro-dose single-serve. Goods are freshly roasted and they’ll happily customise the additional spices to your liking. Plus it’s all wrapped up in the recycled goodness of yesterday’s news. Simplicity reigns.

Check out more Random Specific images on Flickr

{ 0 comments }

Chinese natural resource efficiency – combining vegetable scraps and incense at a grave in Wellington during Ching Ming festival. I’ve also noted the use of broccoli stalk bases as sign holders by Chinese at the local farmers market. Making the most of what nature provides to support human endeavor – from faith to commerce.

Taken on assignment for the Death & Diversity project
Related post: Newspaper to New Paper

{ 0 comments }

Neon Jelly Chamber inspired by Napoleon’s head chef, Antonin Carême

I was recently introduced to the culinary capers of British foodsmiths Bompas & Parr. They create fine jellies, craft bespoke jelly moulds and curate immersive food installations. Obscuring the boundaries between food and art, I was also intrigued at their deep interest in the historical and cultural context of the subject of their fanciful creations.

“We are working hard to restore jelly to its culinary throne… Jelly is magical: it has the ability to make people laugh hysterically, is loaded with nostalgia and best of all, can taste wild. OK, we’re not giving a sermon here – but you get the idea: jelly rocks… Bompass & Parr has always been about creating culinary projects that explode people’s pre-conceived notions of food.” – from B&P’s Jelly

 

Recreation of London’s St Paul’s Cathedral

Bompas & Parr projects have often taken an architectural lens on food construction – with one of this playful pair having training in architecture. However their often light-hearted and quivering formations are underpinned by a rigor in culinary crafts of the highest order. In 2008 designers and architects were invited to create interpretations of their buildings or design style which Bompass & Parr offered to make jellies from. They used 3D printers to fabricate plastic moulds and displayed their array of colourful constructions at the Architectural Jelly Banquet of the London Festival of Architecture – which culminated in a impromptu and impassioned jelly fight.
 

 
Elsewhere the self confessed jelly-mongers and experience-extenders have devised a scratch ‘n’ sniff event for Peter Greenaway’s The Cook the Thief His Wife & Her Lover which was introduced by the director, the Architectural Punchbowl in which a building was flooded with four tonnes of punch and guests ferried across it in rafts to indulge in further edible & quaffable revelry – and an expansive glowing jelly installation for San Francisco’s MOMA.
 

Flicking through their book – we were captivated by their black and gold leaf prosseco funeral jellies, elderflower and summer fruit wedding jellies and even a coffee & tobacco jelly. It inspired us to give jelly-making a go with a some handy tips from B&P. We even visited a local second hand store to scour for interesting mould-making shapes – which turned up gems like lemon squeezers and old-style cut glasses.
 

We dabbled in passionfruit and champagne layered jellies, suspended jelly-beans set in fluted glass moulds and even managed a flaming currant jelly which we set alight with a dash of vodka. The pick of the bunch though was jasmine tea set on top of pomegranate – with a lustful quiver and heart-throb glow:
 

Note: Sadly I didn’t have my full camera kit on me this weekend so have had to go with what I could manage on my iPhone. But check out Bompas & Parr’s Jelly book if you get the chance – the photography will get you salivating as much as their flavorsome follies.

Related Posts:
Cultural Confectionery
Fruitful Pursuits

{ 1 comment }

Cultural Confectionery

November 23, 2009

cultural_confectionery_1
My partner in crime from Hong Kong days, Oriana Reich, has curated an exhibition Cultural Confectionery for the week long Detour festival. New York-raised Oriana is a creative visionary who works globally and is currently back in Hong Kong dishing up a wealth of delectable treats from graphic design to culinary arts. Her imminent show brings together such passions and exemplifies her multidisciplinary approach.

Cultural Confectionery aims to convey the fundamental notion that food is a cultural expression. Through exploring the relationship of Chinese confectionery to identity and culture, our exhibit will include a classification of Chinese confectionery, highlighting types local to Hong Kong and those that are part of a confectionery diaspora. The exhibition is a record of sweet memories: the stories, memories and traditions that surround our relationship with sweets. A series of photographs by Grischa Rüschendorf will explore local bakery and cha chaan teng culture, sharing a vital part of Hong Kong’s urban landscape.”

 
cultural_confectionery_2
Acknowledging the reliance of our food experiences on smell, Oriana has indulged in a spot of olfactory alchemy to enhance the sensory and nostalgic qualities of the exhibition. She sought the input of San Francisco-based scent sorceress, Julie Elliot who dispatched a selection of nine scents for Oriana to blend for the show.
 
cultural_confectionery_3
Get it while it’s fresh – between November 27 and December 9, 2009.

Related articles:
Still Life, Smooth Moves
Fruitful Pursuits

{ 1 comment }

Fruitful Pursuits

August 17, 2009

fruitful_pursuits_1
Sitting firmly at my favoured intersection of communication, culture & creativity are two exemplary projects by UK-based designer/animator/mutlimedia artist: Alan Warburton. Both explore food as an illustrative and participatory medium for enhancing dialogue.

The first was his Cutting the Melon/Cortando el Melon project in Venezuela. The concept was inspired by a conversation with a local friend on politics – who chose to illustrate his point by cutting a melon. The resulting project involved four pairs of participants from the Universidad Central de Venezuela who were asked to cut a melon to depict and discuss aspects of Venezuela’s political situation. Photography & video from the event were later exhibited – prompting viewers to reflect on their own narratives of the political context.
 
fruitful_pursuits_2
The second project, Fruits of Conversation, was held in the British city of Cambridge. It took the form of a community focused initiative where participants sliced, severed and sculpted locally grown apples to explore topics which they felt define their city. Issues raised covered traffic congestion, cultural integration, planning and development.
 
fruitful_pursuits_3

“Using apples is very much a leveller. It slows down discussions and makes people a lot more thoughtful and less combative, so when they need to make a point it facilitates a kind of levelled discussion. The first cut is always the hardest. They don’t want to cut the apple because they have to make an assertion. But once they’ve done that they throw caution to the wind.” – Alan Warburton, via the Royal Society for the Encouragement of Arts

Providing fabulous encouragement for playing with one’s food…

Related post:
Still Life, Smooth Moves
Cultural Confectionery

{ 0 comments }