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Co-creation

I recently hopped across the ditch to Queensland, Australia’s Sunshine State, for the Ideas Featival in Brisbane. We’ve been running a Local Food Challenge on OpenIDEO in conjunction with the festival and state government – featuring inspirations and innovative concepts from our spirited global community over the last couple of months. In Brisbane the OpenIDEO team were joined by policy-makers, food producers, farmers, retailers, researchers, educators, students, innovators and community connectors. Together, over two days of workshops, we explored behaviour change, customer journeys, environmental performance, health impact, community engagement, scalability and business models – alongside feasibility and implementation of the awesome shortlisted Local Food Challenge concepts.
 

Paul Bennett, Chief Creative Officer, IDEO

It was a particularly momentous occasion for me as I met a couple of my OpenIDEO colleagues for the first time after 6 months of working together from across our globally dispersed locations. Our co-founder, Tom Hulme, presented to a full house, asking How Do You Engage Those of the Edge? – celebrating the power of participation. IDEO’s Chief Creative Officer, Paul Bennett, provoked the crowd with Global Problem Solving: Can Small x Many = Big – confronting traditional interpretations of design to reveal how design thinking could be employed to address future social, ecological and political challenges.
 

Attendees were enthusiastic about the cross-disciplinary nature of the workshop teams. While we’re used to working in this way – it was refreshing for others who found it perspective building and got excited at the dynamic networks which formed around specific concepts. Read more on the workshops from our festival buddy, Ben Morgan, over at indesignlive.com And here’s an assortment of festival chit-chat:
 

Festival rock-star & entrepreneur, Robert Pekin, Food Connect: “Gee Whizz! Amazing to watch how local folk have applied their specialist knowledge to adapting these exciting concepts to the Australian context.”
 

Backyard transformer, Ben Grub, Permablitz: ”There’s been a really good cross-section of players. I don’t usually interact with government, media and farmers and it was great to thrash out ideas from an online platform in an energised offline environment.”
 

Ray Palmer, Queensland Farmer with Symara Farms: “It was affirming to note that there’s a growing movement of folks who want to know the story behind what’s on their plate – across various sectors and communities.”
 

Jakob Trischler, Shortlisted OpenIDEATOR: “Awesome to get lively insights on a hot topic from such a diverse group from different disciplines.”
 

Ewan McEoin, Local Food Challenge Australian Lead: “Energy Central. Folks were amped to be building off such a diverse range of concepts supporting local goodness.”
 

Anna Bligh, Queensland Premier: “The Local Food Challenge has just gone gangbusters. You can actually go to the world with an idea and look for answers.”
 

Paul Bennett, Chief Creative Officer, IDEO: “Hundreds of great builds, amazing energy, long days with crazy jetlag but really, really worth it.Our first outreach OpenIDEO workshop was amazing and was powered by all your great input. Thank you all!”
 

Our local challenge collaborator will continue to pursue avenues to prototype a selection of concepts together with local government and those with relevant expertise, contacts and outreach capabilities on the ground. As always we’re keen to translate the stellar skills of our growing, global OpenIDEO community into real world action and change – to enhance resilience at a local level. We’ll be celebrating impact developments over on our newly launched Realisation Phases.
 

On the back of the intensity of the workshops we rounded off our energetic sessions with a spot of fun. We distributed stickers to participants and dispatched them across the gorgeously sprawling riverside area surrounding the State Library, to seek inspiration. The stickers prompted folks to Stick It & Show Us. They were encouraged to photograph their sighting and email it in to a website we’d quickly cobbled together – with a prize offered for the cleverest cookie on the day. Some have continued with submissions from further afield.
 

Check out more highlights over at www.thisinspires.us (With a hat-tip to Candy Chang, whom I’ve featured on Random Specific before, for her ever-inventive public engagement initiatives which inspired us on this.)
 
Related posts:
OpenIDEO: Better Together
Mathare’s Micro-farms and Market Gardens

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Wish List Fills Urban Gaps

November 26, 2010

New Orleans remains peppered with vacant storefronts and folks who still need things. Designer, artist and urban planner, Candy Chang, created a participatory public art initiative which provided voice to residents – sharing thoughts about what they want and where they want it. I Wish This Was encourages locals to write their thoughts on fill-in-the-blank stickers and put them on abandoned buildings and beyond. A great way to spark conversations and nudge folks to imagine what their city could be.
 


 
Candy is a sassy, multi-discplinary player who has strung her projects across the globe from Nairobi to Finland, Brooklyn to Johannesburg. She’s got degrees in Architecture, Graphic Design and Urban Planning and has toiled for Nokia and the New York Times.
 

She’s devised some fab initiatives including a neighbourly post-it note exchange, a guide for street vendors in NYC and a spot of sidewalk psychiatry. More recently she co-founded Civic Center – a studio that creates projects which make cities more accessible and engaging.

Image (detail) of Candy by Randal Ford for Fast Company

Related posts:
Collective Reflections
Twitter, Hip-Hop & Smoke-Freestyle

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A while back I was asked to contribute ideas on spreading the smokefree message to New Zealand youth via the awesome Smoking: Not Our Future platform. Noting that they already had an active social media following and a focus on the local music scene, I threw in the idea of a Twitter rap competition to engage youth to co-create positive health messages.

Collaborating with Transmit Media-Creative, the TwitSpit Competition was devised – inviting participants to freestyle/rap their smokefree attitudes via Twitter. The 140-character constraint was reduced even further by the requirement to include the #twitspit hashtag. Judging was done by local hip-hop legend, MC Juse1, who also created the graffiti artwork which branded the competition. The winner scooped an iPhone, with a slew of music-oriented prizes also up for grabs to those willing to spill their skills.
 
Winning tweet:

@ohhhSunday! you’re killing yourself but it doesn’t end there/
because it also affects all the people that care #twitspit
 
Highlights:

@DropNutsDean No more banter, Listen to this stanza/
If we lose the battle against tobacco, we will lose the war against cancer #twispit

@geekyORANGEfool: pull out that smoke and will anybody kiss you?
cause when you start smoking your love life’s gonna be an issue #twitspit

@DropNutsDean to coax/all those who smoke/heres a flowed note/
i don’t care if u burn… but i mind if u smoke #twitspit
 
And more fresh cuts from the prolific @DropNutsDean

… the only thing I smoke is MCs who test me…
… yo smokin dont just result in coughin/it results in coffins
… quit getting thru tar… like a cement mixer
… if you don’t want your ash kicked, the butt stops here
 

 
Related posts:
Street Art Gets Behind the Wheel
Lo-fi Meets Hi-fi at the Corner of Send and Receive

[Images by Transmit Media-Creative]

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Fruitful Pursuits

August 17, 2009

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Sitting firmly at my favoured intersection of communication, culture & creativity are two exemplary projects by UK-based designer/animator/mutlimedia artist: Alan Warburton. Both explore food as an illustrative and participatory medium for enhancing dialogue.

The first was his Cutting the Melon/Cortando el Melon project in Venezuela. The concept was inspired by a conversation with a local friend on politics – who chose to illustrate his point by cutting a melon. The resulting project involved four pairs of participants from the Universidad Central de Venezuela who were asked to cut a melon to depict and discuss aspects of Venezuela’s political situation. Photography & video from the event were later exhibited – prompting viewers to reflect on their own narratives of the political context.
 
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The second project, Fruits of Conversation, was held in the British city of Cambridge. It took the form of a community focused initiative where participants sliced, severed and sculpted locally grown apples to explore topics which they felt define their city. Issues raised covered traffic congestion, cultural integration, planning and development.
 
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“Using apples is very much a leveller. It slows down discussions and makes people a lot more thoughtful and less combative, so when they need to make a point it facilitates a kind of levelled discussion. The first cut is always the hardest. They don’t want to cut the apple because they have to make an assertion. But once they’ve done that they throw caution to the wind.” – Alan Warburton, via the Royal Society for the Encouragement of Arts

Providing fabulous encouragement for playing with one’s food…

Related post:
Still Life, Smooth Moves
Cultural Confectionery

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Last week I received a box set of Drivers of Change cards from Arup’s Foresight and Innovation team in London. They are part of an on-going research programme exploring those issues most likely to have a major impact upon society. Some time back they had requested an image I had photographed to be included in the publication and its been great to view the entire package which is designed to ignite minds in our transitory times.
 
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The box contains sets of cards on issues that drive change: energy, waste, climate change, water, demographics, urbanisation and poverty which are further divided into categories: social, technological, economic, environmental and political. Each card covers a single driver and presents a provocative question and image appended by a challenging fact and sub-issue. The reverse features further research, figures, maps and supporting detail – all coming together to prompt exploration of emerging trends in brainstorming sessions. The questions were derived from Arup’s own workshops with professionals on what is driving change in their sectors.

The cards have been used in a number of events by Arup to promote dialogue – always encouraging interactivity and often involving a sense of play. At a Tokyo Designers’ Week the cards were circulated round a sushi bar within the shipping container venue where visitors selected cards and wrote their responses to the drivers.
 
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The image I took in Worli, Mumbai from the card featuring the sub-issue Livelihood Opportunity – posing the question “How do you make ends meet?”

Arup is a global engineering consultancy which has a history of employing a holistic multi-disciplined approach in engineering design. With a global staff of over 10, 000 Arup provides an array of services for the built environment sector including engineering, design, project management and consultancy. Notable projects include the Sydney Opera House, the Pompidou Centre in Paris, CCTV headquarters in Beijing, Casa da Música in Porto and 30 St Mary Axe (The Gherkin) in London.

I feel the Drivers of Change cards are a relevant tool for curating conversations as are other sets such as the Method Cards by Ideo and the NextPlays card set from Moxie Design Group. By breaking groups out of linear thinking they engage minds in a participatory manner and are more likely to gather a brain storm of deep insights than a passing shower of shallow talk.

Related Article:
Solution Seekers at Play

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