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A fellow rickshaw-enthusiast requested I dig up this piece I penned sometime back about Tuk Tuks in Sri Lanka. Given it was my first piece of paid writing – for a Hong Kong lifestyle mag back in 2004 – I thought I’d post here for legacy’s sake.

“And is madam married?” queried our charmer of a tuk-tuk driver. I did the usual swapping of my ring to the appropriate finger and waved it in his face with a triumphant smile. “But in Sri Lanka you have your Number-One-Husband” he announced and then with a wink in the rear view mirror “but you also have a Tuk-Tuk Husband!” He collapsed in laughter at his own joke leaving my friend and I hoping the vehicle would guide itself through Colombo’s chaotic innards in this momentary lapse of our driver’s attention.

Travellers to Asia have long patronised the humble tuk-tuk. From Bangkok to Mumbai and throughout our adventures in Sri Lanka, the three-wheeled taxis are indispensable for negotiating traffic-choked inner-city streets. Hopping between seaside villages, fort towns and up-country tea estates, we found them the ideal way to experience the true diversity of Sri Lanka. Colourful, cheap, semi-open and providing drivers ranging from rogues to most hospitable hosts – the tuk-tuk soon became our mode of choice leading to all manner of insights to this unique island.
 

The tuk-tuk’s older sibling: Cycle Rickshaw (Delhi)

The tuk-tuk traces it’s origins to nineteenth century Thailand where King Rama V was presented with a rickshaw by a wealthy Chinese resident. This evolved into the three-wheeled cycle rickshaw or samlor that is still seen in many Asian countries today. In the 50s, amid growing traffic congestion, Thailand banned the samlor. Its desirable manoeuverability however, led to a motorised upgrade: the tuk-tuk. Many Asian cities quickly adopted the tuk-tuk in response to the need for faster short haul passenger transport in increasingly inhabited urban districts.

The current tuk-tuk format is a modification of a Japanese delivery vehicle popular in the 60s. Drivers straddle the engine bay using a motorcycle style steering mechanism to guide the three-wheelers. Originally 2 stroke engines, 4 stroke versions are now available with delivery and pick-up models on offer as well.
 

Mudflap customisation (Ahmedabad)

The name tuk-tuk quaintly mimics the sound of their idling engines – a familiar accompaniment to the soundtrack of Asian city life. With their often customised signage and kitsch interiors, tuk-tuks provide colourful character to an array of locales.

Warnings are rife in Asia, Sri Lanka included, of the hazards of tuk-tuk travel. Passenger safety, exposure to pollution, rigged meters, commission scams are issues that pepper guide books. However we found that fortified with a suitable dose of street-wise savvy that tuk-tuk experiences were indeed a many splendored thing. Miscommunications and potential scams were interwoven with avid haggling and hilarity. After a particularly engaging bargaining dual we boarded one tuk-tuk only to find that the driver had no idea where we were actually headed – a testament to the fact that the deal can be as entertaining as the destination.
 

Fuel and Font Pit Stop + Photo Opp (Sri Lanka)

Our most pleasant excursion was with the easy going Ranjit of the southern town, Matara. We hired him for a day at a fixed rate to take us to surrounding fishing villages, swimming spots and sights along the south western coast. Despite my glowing appraisal of tuk-tuk travel in Sri Lanka, the roads can be truly testing on ones nerves but Ranjit had us calmly and expertly venturing through it all. He didn’t try any of the tourist scams we’d heard about but happily stopped to our shouts over minor roadside attractions and obscure photo-opportunities. In fact, when we asked him to take us for lunch to the kind of place he would frequent, he squirmed at the suggestion. After a bit of earnest encouragement we landed up at a humble road- side eatery which easily rated amongst our top Sri Lankan dining experiences.

The breezy semi open air tuk-tuks allowed us to explore, pursue, meander and back-track much of Sri Lanka inaccessible to other forms of transport. They allowed us to take in the sights and scenery but also the markets, alleyways, colourful characters and slices of life not evident otherwise. Not in the least our delightful, self-proclaimed Tuk-Tuk Husband.

Related posts:
Three Idiots on Three Wheels
Cultural Confectionery Confectionery (featuring my talented travel pal on Sri Lanka trip)

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Today is World Water Day and Random Specific is taking the opportunity to feature a very special clip by Andrew Hinton for Tippy Tap. I was lucky enough to meet Andrew at the UnBox Festival last month in Delhi – where he gave me an impromptu private screening. He went on to become a winner in the esteemed Do Gooder Non Profit Video Awards a few days back.

I’m not going to tell you any more than that folks.
Just watch it, dig it, share it.

Related posts:
Excreta, Et Cetera I
Excreta, Et Cetera II

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Bollywood Big Boss

February 22, 2011

Busy times as I throw myself across India on projects in Bangalore and Delhi – so a quick post more randomly orbital than usual. The good folk at Idiom Design in Bangalore just sent me this poster, featuring yours truly, which they remixed for an event during last week’s DREAM:IN Conclave. Although the summit was generally focused on more noble pursuits – socialising in the evenings was spiced up with various interventions to get participants interacting. If I ever had Bollywood aspirations these past years, working in and out of Mumbai, it seems like I’ve finally achieved them here. And given that I’m atop Ameer Haque, vice president of Ogilvy & Mather, Bangalore – perhaps I’ve made it in the Indian advertising world as well?!

Related posts:
Bollywood Poster-wallas
Viva Vernacular

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iPhone Wallpaper by Isaiah King

African Digital Art points us to a number of designers who are responding to the revolution which continues to unfold in Egypt. Check further down for some less graphically resolved yet more immediate and compelling responses from scenes of protest and those on the ground.
 

Posters by Michael Thompson
 
Meanwhile, global protests spark savvy signage:

Istanbul protestor. By Bulent Kilic/AFP/Getty, via Foreign Policy
 

Protestor in Toronto via BuzzFeed
 
And on the ground – the most powerful messages speak volumes from their immediacy:

Sarcasm abound: “Go Mubarak.” By Marco Longari/AFP/Getty Images, via Foreign Policy

Thanking Facebook. By John Moore/Getty, via Foreign Policy

Plain and simple. By Marco Longari/AFP/Getty Images, via Foreign Policy

Down but not out. By Manoocher Deghati/AP , via the Guardian

Related posts:
Conflict Kitchen Serves Up Second Course
Wish List Fills Urban Gaps

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Post-consumption Creativity

February 8, 2011

During my current trip to India I’ve been adding a collection of posts to the REculture blog where we feature the post-consumption economy of repair, reuse, repurpose and recycling in low-income contexts. I thought I’d add some of the highlights here – a wee taste of post-consumption creativity.
 

Siesta Sachets and Remnant REculture: Fabric scraps (lead image) and discarded foil sachets (above) are woven into rope to form bed bases.
 

Repurposed Beauty: Reusing advertising billboard canvases – at a construction site in Ahmedabad and a workshop in Mumbai.
 

Cigarettes and Spirituality: I stumbled on children down an alleyway at Dharavi who had made a makeshift temple out of old cigarette packets.
 

Material Efficiency: Nestled behind a lean-to stall in Mumbai were two ingenious guys fashioning lanterns out of scrap metal and glass. They cut the salvaged glass into small sections to create the lantern casing. Given that Diwali is just around the corner – they’re bound to make a killing with very low material costs. I wasn’t the only one fascinated by their street-side enterprise – a small fan-club had gathered round and were equally impressed with their lucrative venture.

Related posts:
Scarcity Sustaining
Mathare’s Micro Farms and Market Gardens

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Designerly Desi

January 24, 2011

Pooja Saxena is an emerging communication designer based in New Delhi with a love for typographic form and an aligned fascination with language and linguistics. One to watch for her agility across forms and fonts.
 

Material explorations on Devanagari script
 

Electricals Ltd. is Pooja’s modular typeface based on a friend’s photo taken in Jaipur.

Related posts:
Overlap: Intersection of Desi and Diasporic
Indo-centric: Typo-centric

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Old City, New Film

January 16, 2011

© Patang – Kushi Productions

Many of you know I’ve been photographing the Uttarayan kite festival in India for a number of years now. While teaching at the National Institute of Design (NID) for a couple of years from 2005, I lived close to the action in Ahmedabad’s Old City. This week I was back there for the chaos, colour and celebration of the annual festival. My visit was made even more special as I attended a warmly hosted private screening of the superb film Patang which will officially premiere in at the Berlin Film Festival next month.

Patang (Hindi for ‘kite’) is set in the Old City where a family duels, spins and soars like the countless kites in the skies above. During it’s poetic journey, the film weaves together the stories of six people transformed by the energy of India’s largest kite festival. When a successful Delhi businessman takes his daughter on a trip back to his childhood home for the festival, an entire family has to confront its own fractured past and fragile dreams. With naturalistic performances from actors (Seema Biswas, Nowaz, Sugandha Garg) and non-actors alike – bold, lyrical editing, vibrant cinematography and a kinetic score – Patang enchants the senses and nourishes the spirit.
 

Patang features three interwoven stories. Image of kite-string paste by yours truly.

The seeds for Patang were planted in 2005, when script-writer and director Prashant Bhargava’s travels to Ahmedabad coincided with Uttarayan. “When I first witnessed the entire city on their rooftops, staring up at the sky, their kites dueling ferociously, dancing without inhibition, I had to make this film.” He returned for the next three years, documenting his experiences with over a hundred hours of video footage. Slowly immersing himself in the ways of the Old City, he became acquainted with its unwritten codes of conduct, its rhythms and secrets. Prashant would sit on street corners for hours at a stretch taking in the nuances of daily life. Over time he connected with shopkeepers and street kids, gangsters and grandmothers. This process formed the foundation for developing the characters and story. As he began writing, Prashant realised that capturing the spirit of the festival and the city – its beauty and flow, joy and strength – would require multiple narratives. And so Patang found its shape as three interwoven stories centering on a family that reunites for the kite festival. Patang’s message and cinematic style developed organically from the deep roots of life in the Old City. Prashant reflects: “The sense of poetry and aesthetics became less of an imposed view and more of one that emerged from the pride, the people, the place.”
 

One of my stills, shot in Ahmedabad’s Old City, from Patang’s opening sequence.

Some of my photographs were featured in the title sequence – but Prashant far surpasses my efforts to capture the flavour, festivities and texture of Uttarayan during the film. I was especially proud to hook up the production crew with my über-talented former student Satya Rajpurohit of the Indian Type Foundry, who’s multi-lingual typeface also features in the opening titles. I managed to join Patang’s crew, actors and friends on a fabulously located rooftop during Uttarayan this week as the sun set and the sky filled with kites followed by floating lanterns and fireworks. An upbeat track from the film ended up on high rotation and I’d pick that it will be a city-wide hit during the festival’s quintessential rooftop musical rivalry next year.
 

From the Patang rooftop this week. Photo by yours truly.

While the sun went down on yet another Uttarayan, my head was filled with rich memories from the Patang shoot, reflections on the film itself and thoughts of the Old City where my forefathers lived and loved.

Disclosure: I previously dated Prashant for 2 years, across 5 cities and 3 continents. Most likely that makes me a tad biased – though I’m sure those of you who manage to catch the film in upcoming months will surely appreciate his achievements.

Related posts:
Uttarayan Kite Festival (Flickr)
High Flyers of Gujarat (The Guardian)

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Handing Over the New Year

December 30, 2010

I recently came across this exquisite work at the Mother Tongue exhibition, curated by the Indigo Design Network. It’s creator, Karina Fernandez, was born and raised in Melbourne where she currently studies visual arts at Monash University. She delved into her Indian cultural heritage while devising the piece – which took her on an exploration of body art, particularly bridal henna designs. However Karina found working with henna a messy business and instead wisely opted for a fine marker which still took her a number of hours. The quote she chose is from from Gandhi: No Culture Can Live if it Attempts to be Exclusive – worthy of reflection as we close the curtain on 2010. Happy New Year all…

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Wish List Fills Urban Gaps

November 26, 2010

New Orleans remains peppered with vacant storefronts and folks who still need things. Designer, artist and urban planner, Candy Chang, created a participatory public art initiative which provided voice to residents – sharing thoughts about what they want and where they want it. I Wish This Was encourages locals to write their thoughts on fill-in-the-blank stickers and put them on abandoned buildings and beyond. A great way to spark conversations and nudge folks to imagine what their city could be.
 


 
Candy is a sassy, multi-discplinary player who has strung her projects across the globe from Nairobi to Finland, Brooklyn to Johannesburg. She’s got degrees in Architecture, Graphic Design and Urban Planning and has toiled for Nokia and the New York Times.
 

She’s devised some fab initiatives including a neighbourly post-it note exchange, a guide for street vendors in NYC and a spot of sidewalk psychiatry. More recently she co-founded Civic Center – a studio that creates projects which make cities more accessible and engaging.

Image (detail) of Candy by Randal Ford for Fast Company

Related posts:
Collective Reflections
Twitter, Hip-Hop & Smoke-Freestyle

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Movember: ‘Stache Antics

November 13, 2010

A few years back, while living in India, I sharpened my skills in mo’-spotting and now consider myself a discerning observer of upper-lip exhibitionism. Imagine then my delight in coming across a site where the time-honoured art of the ‘stache meets the modern phenomena of Twitter. On Stache Tag guys can track the growth of their moustaches, categorize their facial hair types, and even create animations of their day-to-day growth – using the hashtag #movember with viral fervor.
 

Even better – it’s supporting the Movember Foundation which raises funds and awareness for men’s health and male cancer initiatives.* Sparked in 2003, Movember challenges men to change their appearance and the state of men’s health by growing a moustache. The rules are simple, start Movember 1st  clean-shaven, then grow a moustache for the entire month.  The moustache becomes the ribbon for men’s health – the means by which awareness and money are raised to fight cancers and health issues which affect men. 
 

From Stache Tag’s creators Blast Radius:

“Twitter is really huge, moustaches are on trend, and Movember is a great cause,” says Sean Chambers, the executive creative director for Blast Radius in Europe. “It did feel like a really good time to pull all these things together.” The site strikes that perfect balance of worthwhile and useless. In addition to building in frivolous (read: totally awesome) features like animations for the moustache photos, Blast Radius hopes the site will increase international awareness for Movember and help participants raise more money.

And it’s not all about guys. Mo Bros have been joined by Mo Sistas too.
 

And I couldn’t resist adding my buddy from Mumbai.
Giving a whole new meaning to ‘letting one’s hair down’.
 
Related posts:
Twitter, Hip-Hop & Smoke Free Style
Lo-fi Meets Hi-fi at the Corner of Send & Receive

* If you’re keen to donate to Movember – head over to your local division.
And if you want to parade your mo or check out the Mo Stylers – drive by Stache Tag.

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