From the category archives:

Developing World

I was excited to return from summer holidays down here in New Zealand, to receive my copy of the first issue of Makeshift magazine. Makeshift is the product of a global network of editors, researchers, journalists, photographers and videographers uncovering stories of street-level ingenuity. I was invited to contribute via my participation on the REculture blog which explores the post-consumption economy of repair, re-use, repurpose and recycling – predominantly by those in low-income communities.

Makeshift is a quarterly magazine and multimedia website about creativity in unlikely places – from the favelas of Rio to the alleys of Delhi. These are environments where resources may be scarce but where ingenuity is used incessantly for survival, enterprise and self-expression. In different cultures it goes by different names: DIY in the US, jugaad in India, jua kali in East Africa and gambiarra in Brazil. Makeshift seeks to unify these cultures of production into a global identity. Makeshift is about people – the things they make and the context they make them in.

Makeshift has been pulled together both artfully & articulately by Steve Daniels in New York. (I’ve featured Steve before on Random Specific for his insightful work Making Do: Innovation in Kenya’s Informal Economy as part of a post on Amplifying African Creativity) Paying dues to the blog from which Makeshift evolved, this first issue has been themed REculture. Steve is quick to point out that informal economies operating in environments of scarcity tend to form sustainable trade ecosystems as they regularly reintroduce waste back into their supply chains. He perceives a new era “in which corporations, policy makers and designers must adapt to informal systems – devising platforms that empower people and communities to create.”
 

Russian photographer, Sergey Maximishin’s stunning images from Kenya’s jua kali sector.

The REculture issue contains imagery, infographics and articles on Mexican horseback recyclers, Kenyan hackonomics, Indian textile refabricators and more. My former collaborator, Niti Bhan, weighs on contrasting approaches to waste from Delhi to the Phillipines and beyond: “Maximising returns on their investment and minimising their use of scarce resources, local makers develop affordable and locally relevant solutions to everyday challenges posed by the scarcities of the environment… extending the life of the product though a variety of characteristic behaviours…” She highlights the lessons to be learned from pursuing the limits of use from every resource.
 

Global-roaming anthropologist, Jan Chipchase, shines a light on the Afghani ‘dirty fuel’ street economy which keeps people on the road and generators running in a context of scarce reliable fill-up stations.
 

 
A savvy aspect of Makeshift is that it was crowd-funded on Kickstarter – the world’s largest peer-to-peer funding for creative projects. It raised over $40 000 USD in a matter of weeks from 600+ backers via it’s Kickstarter campaign – over double it’s initial goal. A fitting approach to funding for a magazine which celebrates bottom-up approaches and collaborative networks. Keep an eye out for Makeshift’s next issue on mobility – ingenuity on the move.

Related posts
Post-consumption Creativity
Indian Grassroots Innnovation
Sustainable Solutions from Mumbai Streets

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Today is World Water Day and Random Specific is taking the opportunity to feature a very special clip by Andrew Hinton for Tippy Tap. I was lucky enough to meet Andrew at the UnBox Festival last month in Delhi – where he gave me an impromptu private screening. He went on to become a winner in the esteemed Do Gooder Non Profit Video Awards a few days back.

I’m not going to tell you any more than that folks.
Just watch it, dig it, share it.

Related posts:
Excreta, Et Cetera I
Excreta, Et Cetera II

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Youth in the slums of Nairobi. Future readers of literature delivered by mobile phone?

Yoza publishes short, hip novels and classic literature on mobile phones for African youth. Designed to encourage reading, writing and responding, Yoza engages African youth with stories and social issues. The project, which was spearheaded by Steve Vosloo – a technology researcher in Cape Town – and financed by South Africa’s Shuttleworth Foundation, is dedicated to a participatory culture hungry for micro-doses of literature that are accessible as pixels not paper.

Officially launched last September, Yoza is based on Vosloo’s observations that African youth are book-poor yet mobile-rich. An estimated 90 percent of urban South African youth have access to cell phones and 70 percent of those phones are web-enabled. In stark contrast, more than half of South African households own no leisure books and only 7 percent of public schools have functional libraries.

Illustrations from Yoza’s premiere edition: Kontax

Yoza’s first story, Kontax, followed the adventures of a local graffiti crew around Cape Town. Its 20 pages were initially published over a month of daily dispatches via a mobisite and later on the popular MXit social network. Each episode, released in both English and isiXhosha, was around 400 words long. Prizes were offered for the best comments and sequel ideas from Kontax readers.

Via Yoza, 17,000 users accessed the full premiere Kontax series for free — well eclipsing the South African “best-seller” standard of 5,000 book sales. Each chapter costs the reader around 1 US cent to download. Explains Vosloo, “Mobile data is cheap relative to voice and SMS — and of course, books. It’s also about access.” According to Vosloo, readership exploded when Yoza was made available to MXit’s 15 million local subscribers — a share currently far greater than Facebook’s.

Yoza content on MXit social network and on a mobisite (Image courtesy of Yoza)

The comments feature allows Vosloo to stay in touch with what readers want. “It’s become clear that youth are keen to be both educated and entertained,” he notes. “We get many requests for stories which are relevant to their lives. We’ve had requests for story lines which cover drugs and teen pregnancy, careers, money and more.” Feedback has helped to shape onwards content which includes Streetskillz, set during the football World Cup, Sisterz which explores dark family secrets and teenage life plus Confessions of a Virgin Loser which follows a boy steering his way through a complicated world of peer pressure, teenage sex and HIV/AIDS. Social issues provide a further avenue for interaction. A story which touched on domestic violence elicited a slew of comments in support of the affected character and posts of personal accounts which empathised with her situation.
 

South African students read and respond to Yoza content. (Image courtesy of Yoza)

Alongside popular culture content, Yoza has also been adding episodic versions of classics from Shakespeare to Wordsworth and other curriculum related texts. Feedback from teachers in low-income schools tells of class assignments given in conjunction with Yoza content and applauds the access to classic literature which the platform has provided. While some may criticise the informal use of language by readers – comments across the site also highlight an engaged audience ready to amend mistakes which have eluded Yoza’s editors. Although youthful readers may comment in text-speak, they eagerly respond with corrections on errors which creep into stories.

Looking to the future, Vosloo has been speaking with various potential sponsors who understand the bridge he has created between reading, response and social issues. One such discussion has been with a bank around the notion of a series featuring elements of financial literacy within its storyline. An aspect which is attractive to sponsors is the appetite created through releasing stories in installments but also that the entire series is then available on the Yoza site and continues to attract commentary. “It’s a bit like the transition from a box-office to DVD release,” adds Vosloo. “There’s the initial rush to devour a fresh feature yet the legacy contributes to a growing library of accessible content.”

An edited version of this article appears in my Change Observer Report on Design Observer.

Related posts:
Mathare’s Micro-farms and Market Gardens
Amplifying African Ingenuity

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Excreta, Et Cetera II

December 19, 2010

Earlier this year I wrote about research exploring sanitation in low-income urban India that I had been involved in as an external consultant. Playfully dubbed The Potty Project, the study by Quicksand has pursued a user-centered examination of behaviours, experiences and attitudes to existing modes of sanitation in a variety of selected slums across India. Lately they’ve been posting their key takeaways from the investigation which have provided some of the comprehensive insights featured below.
 

Pointing to the different norms around cleanliness inside and outside the home. Noting that provision of clear identity around who owns sanitation facilities is likely to drive more responsible use. Read more.
 

Highlighting the failure of toilet facilities to account for issues like menstrual waste and adolescent sensitivities. Read more.
 

Calling attention to the factions which may exist within a community that need to be considered in inclusive mobilising of residents around improvements. Read more.
 

Discussing how breaking up various tasks around sanitation allows for social interaction which diminishes the sense of delay. Read more.
 

Noting that users of shared facilities passively co-create behaviours which are established together over time. Read more.
 

Cross-pollination of The Potty Project insights on OpenIDEO

An aspect of the project which I particularly applaud has been the open sharing of research findings as they unfolded. Co-researcher and social media manager Kassia Karr, who joined Quicksand from Boston, notes that blog posts and tweets extended the reach of observations and created new connections for the team. Senior colleague, Ayush Chauhan, adds that “these channels have been a great way to communicate, in real time, with an extremely diverse community – client, peers and related practitioners – spread across the globe. It’s also been affirming that the findings have found their way into other forums not related directly with the project but in the larger domain of sanitation discussion and have provided inspiration in those contexts.”

A further aspect I commend on the project has been the approach of working visually.

“The interpretive nature of language is often a handicap when the real information lies in the texture of observations and the nuances of behavior – both hard to capture in the written word. Good research must have the power to inspire as much as it has the mandate to inform and that’s where capturing experiences of people through visual narratives – film, photography, illustrated scenarios – opens doors for people to interpret information and bring to bear their own experience and understanding of the context.

There are three areas where visual storytelling brings value to our projects:

+ With clients who are often removed from the context, understanding user issues through the immediacy of films & photography is both informative and unambiguous. Also allowing for wider participation in the process of translating research insights into action.
+ With users especially from an unlettered or a vernacular context, visuals help researchers focus the interactions on issues that may otherwise be hard to articulate
+ As design researchers, telling a story through illustrations and scenarios is more effective in communicating key ideas and abstract concepts that don’t have a precedent.

– Ayush Chauhan, Project Lead and Quicksand Co-founder

Quicksand are committed to extending the reach of design-based approaches and with their close partners Co-Design are presenting the UnBox Festival in New Delhi, February 2011. The main event is across three days of ideas, stories, spectacles and exchange to build momentum around design thinking and inter-disciplinary collaborations. The festival will bring together designers, policy makers, entrepreneurs, activists, educators, artists and others interested in social and cultural change. UnBox intends to work and play across contexts and mediums – workshops, debates, brainstorms, picnics, literary readings and travel. “Together, we’ll rethink and stretch design practice through imagination, provocation and stimulation.” I’m certainly looking forward to joining them there.

Related posts:
Excreta, Et Cetera I
Sanitation, Simplicity & Storytelling

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Earlier this month on a fleeting visit to Kenya for Nokia’s Open Innovation Africa Summit I met an array of innovative folk like venture catalyst Emeka Okafor, Ushahidi co-founder Erik Hersman and mobile novelist Steve Vosloo. But the most interesting person I met during the trip happened to be after the summit was over, when I went on an early morning foray in search of entrepreneurial activity in the slums of Nairobi. I came across Festus Ambche, 38, tending a flourishing half acre plot of edible produce at Mathare.
 

Festus arrived in Mathare from a family of farmers and saw the opportunity to put his agricultural knowledge to use. He rents his plot from the local council and sells his large variety of produce in the neighbouring slum – direct to residents and also at the local market. He’s also been experimenting with sack gardening and, noting it’s relevance for the cramped conditions of Mathare, has been sharing his learnings with others.
 

Sack gardening became increasingly popular during the post-election violence in 2007/08 when food prices rose by up to 50% and access from volatile sites like Mathare to regular food sources became a challenge. A number of non-profit groups, school and self-help organisations began to promote the efficient, low-maintenance and low-cost sack gardens as a way of enhancing food security. Spinach, kale, chard, peppers, spring onions and tomatoes could be grown with relative ease for household use. Some families began selling their surplus harvest to neighbours while others grouped together to create micro-enterprises around their collective crops, including nurseries to supply the growing flock of Nairobi’s sack gardeners with seedlings.
 

What started as a way of improving food security has blossomed into a number of entrepreneurial ventures, driving an increased demand for fresh, local produce. Folks I met seemed proud of the independence that their doorstep gardens could provide. Many residents are rural migrants with roots in farming and are rekindling agricultural knowledge they had left behind, via their sack based micro-farms. Meanwhile, for Festus, business is booming – with the community showing more interest in what can be grown closer to home and from trusted sources.
 
Related posts:
Women Together: Incentivising Savings
Mobile Enterprise

Kibera’s Garden in a Sack: Urban Agriculture Magazine (500KB, PDF)

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OpenIDEO: Better Together

November 22, 2010

“That OpenIDEO thing is great isn’t it?” My mother, approaching 80, discovered Google Buzz a few months back and has been following me on Twitter from there. Via one of my tweets, she had a look around OpenIDEO and was fascinated by the scope of inspiration and global collaboration. As a doctor she has always been somewhat in the dark about what I do for a living but from following my Twitter links she’s started to get the idea. “It’s about design and people and making the world a better place, right?” she offered as a perspective on my professional pursuits.
 

 
So it was helpful when I announced recently that I had a contract with IDEO as a Community Manager on OpenIDEO, that she already knew what it was. OpenIDEO is a place where people design better together for social good. It’s an online platform for creative thinkers: the seasoned designer and the new guy who just signed on, the art student and the MBA, the active participant and the curious lurker. This diversity makes up the creative guts of OpenIDEO. And the best part is it’s constantly in beta – so the platform continues to evolve over time.
 

After a challenge is posted on OpenIDEO, the three development phases – inspiration, concepting, and evaluation – are put into action. All resulting concepts generated are shareable, remix-able, and reusable in a similar way to Creative Commons. Participation is incentivised through the Design Quotient (DQ) which measures users contributions. Collaborative behaviour is encouraged through features like the Build Upon function. Challenge topics have ranged from ways in which affordable education can be delivered in the developing world to how kids’ awareness of the benefits of fresh food can be raised. Even the randomised OpenIDEO logo was designed through the challenge process.
 

Just now we’ve got two challenges open. The Sanitation Challenge is in conjunction with IDEO fieldwork in Ghana – and asks how human waste management and sanitation can be improved in low-income communities. The Innovation Challenge seeks to set an agenda for the upcoming i20 Summit of global innovation leaders. Come over and join us – because creativity loves company.

Selection of my OpenIDEO contributions:
Story Telling on Wheels (Winning Concept)
Innovating *With, Not For* Communities (Winning Agenda Concept)
Growing Knowledge (Concept)
Posters Made of Soap (Inspiration)
Making Policy Public (Inspiration)

Related posts:
Creative Waves Through Collaboration
Solution Seekers at Play

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Excreta, Et Cetera I

September 13, 2010


I was recently invited to participate as an external advisor, from here in New Zealand, on an extensive research project currently being conducted in India. The exploration is focused on sanitation in low-income urban India and has been dubbed The Potty Project.
 
The study entails a user-centered examination of behaviours, experiences and attitudes to existing modes of sanitation in a variety of selected slums across India. This is expected to highlight specific opportunities for innovation which might include business model, design, technology and/or communication interventions.
 

The comprehensive research endeavor is being conducted by the dynamic bunch over at the multidisciplinary Delhi-based innovation consultancy Quicksand. Their focus on user-centered design principles has attracted assignments from Google, IDEO, and the United Nations Development Programme. They’re big on participatory methods and the use of visual aids for research. And best of all for me (being so far way from the action) they are smooth users of Tumblr, Vimeo, Flickr and Twitter – to share images, video, methodological musings, interim analysis and anecdotal interludes – both from the field and back in the office. Much of this flows through The Potty Project blog and occasionally we talk more detailed sh*t (literally) between the Quicksand team and various global advisors via Skype. I get the short straw being out on a limb in terms of time zones – sorry guys if I get incoherent by 4am in the morning!
 

While rigorous research is being done to summarise the key impact parameters, sanitation spectrum and slum topologies – as always there are some peripheral wee gems that are observed along the way. The images above highlight an informal solution for soap dispensing.

Quicksand’s services span research, film-making, product development, exhibition/experience design, education and beyond – but here’s a quick taste from a couple of their other projects in the sanitation sector:
 

User Experience Research
for Safe Water Strategies in Base of the Pyramid Markets.
 

 
The Ripple Effect Film. Quicksand’s documentation became an important medium for IDEO and Acumen Fund to demonstrate the value of design thinking in driving issues pertaining to social development and impact.

Related posts:
Women Together: Incentivising Savings
Disrupting Urination Norms

[All images via Quicksand and The Potty Project]

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Next week ushers in this year’s Maker Faire Africa which celebrates the spirit of African ingenuity, innovation and invention. I recently interviewed one of its founder’s Emeka Okafor for Design Observer: Tinkers, Hackers, Farmer, Crafters. He spoke with conviction of

“the interchange between the emerging global dynamics and local inspiration in Africa. This speaks to a far-reaching conversation in which the questions are posed: How do we regain our creativity? How do we redefine what we mean by a society that is advanced?

He went on to describe the experimental platform which is neither a science fair, conference nor trade show – but which rather values all makers who have uniquely responded to a need with an adaptive sensibility.

“If you place a tinkerer who works on the side of the road next to an Ivy League engineer, dynamics are bound to get interesting. Folks begin to recognize, reassess and remix value… This is something I came to appreciate in curating TEDGlobal in Africa. When you place the biochemist next to the poet or the visual artist next to the physicist, you can rely on synergies springing from their shared curiosity.”


Last year’s MFA featured a potent mix of inventiveness from robotics through to black-smithing and agricultural innovations – punctuated by recycling endeavours and global-local craft mash-ups. The event had it’s own locally fabricated radio station and endearingly analogue black-board blogger, Alfred Sirleaf.
 

This year’s MFA promises another round of multidisciplinary ingenuity. Digital fabrication is set to feature alongside artisanal eyewear. Workshops will share solar technology skills with young people and mobile hacking tips with all ages. The event will also see the African launch of Steve Daniels’ book Making Do: Innovation in Kenya’s Informal Economy. Steve’s rigorously insightful book provides a comprehensive exploration of jua kali – informal artisans who work in industrious clusters across Kenya:
 

“Wandering through winding alleys dotted with makeshift worksheds, one can’t help but feel clouded by the clanging of hammers on metal, grinding of bandsaws on wood and the shouts of workers making sales. But soon it becomes clear that this cacophony is really a symphony of socio-economic interactions that form what is known as the informal economy. In Kenya, engineers in the informal economy are known as jua kali, Swahili for “hot sun”, because they toil each day under intense heat and with limited resources. But despite these conditions, or in fact because of them, the jua kali continuously demonstrate ingenuity and resourcefulness in solving problems…

… Steve Daniels illuminates the dynamics of the sector to enhance our understanding of African systems of innovation… The study examines how the jua kali design, build and manage though theoretical discussions, visualizations of data and stories of successful and struggling entrepreneurs.”

Maker Faire Africa promises to shine a light on a wealth of African talent and turn up the volume on their diverse voices of inventiveness.

Related posts:
Indian Grassroots Innovation
Creative Waves through Collaboration

[Images – 1 + 2: From White African's Maker Faire Africa set on Flickr, 3: from the portfolio of C. Kaibiru, 4: cover detail of Steve Daniels' book Making Do]

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BRTS_5
Earlier this year I checked out a robust, sustainable urban transport strategy supported by digital technology and user-centric design which earned the global Sustainable Transport Award from Washington. Ahmedabad’s Janmarg (People’s Way) initiative incorporates dedicated bus corridors amongst other interventions to prioritize multi-modal, eco-smart transport options to serve a population fast approaching 6 million. By analyzing current and emerging local mobility patterns and aspirations alongside concerns for accessibility, safety, energy efficiency and connectivity – urban planners were able to adapt the Bus Rapid Transit (BRT) model which had transpired from developments in Curitiba and Bogota. Most importantly its impact is being felt at street-level in a city which encompasses both tradition and modernity.
 
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Ahmedabad is India’s seventh largest city and fifth richest (ahead of Delhi and Mumbai), providing Gujarat with a thriving centre of commerce while hosting a large student population. Like most Indian cities its roads are becoming more strained as an increasing number of private vehicles compete for space with buses, trucks, rickshaws, pedestrians, hawkers, bicycles, cows, camels and the occasional elephant. While some areas of the city flourish via industries such as pharamaceuticals, textiles and construction – others flounder – and all are exposed to mounting levels of pollution. Faced with such issues the Ahmedabad Municipal Corporation approached one of the city’s prominent tertiary institutions, the Centre for Environmental Planning and Technology (CEPT), to explore and propose solutions.
 
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Consulting architect Meghal Arya applauds the breadth of the planning considerations, which accounted for users, providers and operators. “Janmarg is likely to raise the whole city’s value,” she says, “but best of all it raises expectations about civic services in India.” Arun Amrutla (above), an Ahmedabadi man who has been crippled since birth, seems to agree. “Its so easy for people like me to get on and off the Janmarg buses,” he says. This kind of system, he continues, can truly change people’s lives — especially those who are physically and financially challenged. “Janmarg gives us access to parts of the city that we couldn’t access before — for education, employment or enjoyment — so it’s more our city now than it ever has been.”

Read my full coverage of Ahmedabad’s Janmarg initiative on Places (Forum of Design for the Public Realm) at Design Observer.
 
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Bus operators Pancal Kirti and Jitendra Patel – who received yoga classes to encourage physical resilience and solidarity as part of their training.
 
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Eight year old passenger Rudri Mehta travels with her mother to visit popular recreational spot Kankaria Lake.
 
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Bus shelters, designed by Arya Architects, employ passive solar design.
 
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Janmarg includes cycling and walking lanes. These pose challenges given that they have not previously been common in Ahmedabad but awareness building initiatives aim to shift attitudes and behaviours in the city.
 
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The service attracts a wide range of passengers from youth to the elderly, factory owners to tribal migrants. Many cite ease of use and timely arrival as key drivers for using the service over alternate modes of transport.
 
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Well over two hundred religious structures were relocated by negotiation to make way for bus lanes. Three, including this one, remain – constituting a kind of tribute to enduring tradition within progressive urban development.
 
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savings_1
Late last year I was researching at Mumbai’s extensive Dharavi slum – investigating residents’ management of irregular and unpredictable incomes as part of a global study co-ordinated by Helsinki-based Niti Bhan. Some of my field observations and musings were posted on our research blog but as it has now been closed I thought I’d feature one of them here – relating to the merits of local micro-savings schemes.

Prema Salgaonkar (above) has been working with Mahila Milan for over 20 years and now heads a group of local facilitators of a daily savings scheme for Dharavi residents. Mahila Milan means “women together” and provides a vehicle for the empowerment of women via leadership roles and advocacy alongside its pivotal daily savings collection. Prema visits around 450 households each day, of which a third will deposit anything between Rs 5 to 200, with almost all households banking something each week. Such an initiative is ideally suited to the irregular nature of earnings at the base of the pyramid which we have been widely discussing during our research.
 
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The deposits from a number of collectives are formally banked but rather than paying interest Mahila Milan provides community and emergency support in a transparent manner. For many, without this daily visit which both incentivises and protects savings, surplus cash would not even be conceived of – let alone put aside. Savings are readily accessible and members of the scheme can apply for credit if required – though this takes a distant back seat to focus on savings. When loans are requested the local Mahila Milan leaders will assess the need and ability to repay, possibly consulting with neighbours as to the borrower’s situation. Repayment terms are negotiated on a case-by-case basis around the borrower’s earning patterns, with consideration given to the maintenance of some savings alongside repayments. Loans –usually for up to Rs 500 at 2% interest – have helped with school fees, medical bills, home improvements and entrepreneurial start-ups from tailoring services to coconut vending.
 
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Beginning in Mumbai in the eighties, initially Mahila Milan had many more illiterate members and developed a system whereby coloured squares of paper would be exchanged for deposits and kept by the saving member in a plastic bag: red for one rupee, yellow for two, green for five and so on. This way members could always check how much money they had access to and plan accordingly. Now this system has been largely disbanded and replaced with passbooks which members were proud to show us and explain the context of various peaks in savings and withdrawal. Currently Mahila Milan constitutes a networked federation of nationwide woman’s collectives encompassing 60, 000 women.
 
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The system is not just about collecting money but also about daily contact which deepens the understanding of various issues facing Dharavi residents. Contributing to a consensus of community priorities, this information is often passed on to other support groups in the area such as the local community council (panchayat) plus used to inform a number of Mahila Milan initiatives. One of our informants (above) who used the scheme conveyed that even on the days when she has nothing to deposit that its was reassuring to be visited by a trusted outsider with sound financial knowledge and that she sometimes used the opportunity to discuss issues such as how rising food prices were affecting those beyond her own neighbourhood. She notes that watching her savings grow has allowed her to start imagining and planning a better future for her family – with her mother and sister also active members in the scheme. 

We were told of numerous success stories like the woman who saved towards buying a second-hand sewing machine which allowed her daughter to leave a gruelling job at a local garment factory to start her own now-flourishing dressmaking business. Another woman with six children and an alcoholic husband saved Rs 5-10 a day till she had Rs 5000 with which she bought a machine to process heavy duty plastic for recycling and now boasts a much higher standard of living for herself and her family. Others access their savings on a short term basis to counter income fluctuations – still signalling a heightened life standard. And significantly most continue with their savings schemes while servicing their loans. 

Micro-credit has been commanding a fair amount of attention surrounding poverty alleviation of late – including voices of caution as have featured in our research discussion. Mahila Milan seeks to strengthen financial assets primarily through savings-led services with micro-loans being offered as a secondary and complimentary service. Last year’s brief article Putting the Microsavings in Microfinance from the New York Times makes the highly relevant point that “only some poor people will benefit from the chance to borrow, but almost all will benefit from the chance to save.”

Related articles:
Dharavi Research Image Selection (Flickr)
Mobile Enterprise + Mobile Phone

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